CD & Vinyl-LP: Sonorama C-17/ L-17
MOMBASA – AFRICAN RHYTHMS & BLUES
S 01
Track
Composer
Time
01
Nairob
Lou Blackburn
7:26
02
Massai
Lou Blackburn
7:56
03
Holz
Lou Blackburn/Donald Coleman
4:17
S 02
Track
Composer
Time
01
Kenia
Lou Blackburn
6:42
02
Makishi
Lou Blackburn
2:32
03
Shango
Lou Blackburn
7:45
Recorded 14th of April 1975 at Cornet Studios Cologne
Mombasa is:
Lou Blackburn – Trombone/ African Shawn, Donald Coleman – Congas/ Bamboo Flute
Charles Jefferson – Trumpet/ Fluegelhorn/ African Thumbharp
Gerald Luciano – Electric Bass/ Percussion/ Domba Drums
Cephus McGirt – Drums, produced by H. Manfred Schmitz
Recording engineer: W. Sorger, all tracks published by Many Music/ Edition Accord.
Mombasa is:
Lou Blackburn – Trombone/ African Shawn, Donald Coleman – Congas/ Bamboo Flute
Charles Jefferson – Trumpet/ Fluegelhorn/ African Thumbharp
Gerald Luciano – Electric Bass/ Percussion/ Domba Drums
Cephus McGirt – Drums, produced by H. Manfred Schmitz
Recording engineer: W. Sorger, all tracks published by Many Music/ Edition Accord.
Lou Blackburn & band, produced by H. Manfred Schmitz and originally released on the rare German “Spiegelei”-label/ Intercord.
From original liner notes 1975:
In describing the music of Mombasa which is a mixture of rhythm, jazz, folklore, blues, spirituals and worksongs, Lou Blackburn would prefer not to use the word jazz. “Many people ask us”, he says, “how one describes our type of music. To this I can only answer that I leave it to the audience because i don`t want to give it a label, for me it is simply ours, Mombasa`s music .”
Plus special support: art card donation in favour of the Options Care Centre, South Africa - in memory of band leader Lou Blackburn. First 100 copies limited vinyl edition include a special Mombasa art card donation - cards are handmade by the people of Option Care Centre, a non profit organisation in South Africa to help aids victims and abused women.
This limited collector´s item ( LP plus art card) will only be available directly from the Sonorama office – support the Options Care Centre and order now at info@sonorama.de! For further donations or contacting the OCC: Options Care Center, 122 York Street, PO Box 758, George 6530, South Africa, Fon/ Fax +27-448747414 or contact german representative Stefan Burk at stefan.burk@burk-ag.com.
Original producer H. Manfred Schmitz with his memories from September 2006:
I started working as an artist promoter at german Electrola in 1970, responsible for radio/ tv promotion and later as a freelancer at WDR (Westdeutscher Rundfunk). Rudy Petri has been te boss of Edition Accord, a publishing department of EMI. In Rudy`s office, I met Lou Blackburn, a middle aged afro american with an exceptional headgear that I had not seen before. When he held out his hand to welcome me, I was feeling an unknown calmness and sovereignty from this tall man. His eyes were looking at me through metal-rimmed glasses in a friendly way. They looked so warm and I felt that he was looking at me with his heart.
“My band Mombasa and I, we are looking for somebody to produce an album with us. We wanna go on a european tour soon and would like to sell our music after the concerts. We also know what we want to achieve in the studio, everything is well rehearsed and we will not need much time for the recordings. We mainly need support for the logistic aspects and a good connection to a suitable distributor.” We already started our common work after 10 days: Edition Accord and my publishing company Many Music shared the cost and work for the production and we decided to record Mombasa in the Cornet Studio/ Cologne, that was equipped with a small but fine 8-track machine.
We needed two hours for the preliminaries of the recording process and focussed on the best adjustments for the rhythm group. From the beginning Lou had a very good connection to the sound engineer W. Sorger. While some of the musicians checked their instruments, others were decorating the recording room with african cloths, candles and even added incense cones to the prevailing mood. The band drew up like they did on stage, with the drums in the very back but with a visual contact to every band member. There was no real break within the recording session, only the ones for changing instruments and tuning them again. I got the impression they were giving one of their concerts!
We immediately felt a bubbling enthusiam. After the recording – there was only one! – Lou Blackburn came to the control desk and listened to everything that was recorded. We had only worked for three hours then. There was nothing to improve and so we began discussions about the final mix that was done with Lou alone. All in all the whole production only lasted one day. The first approach for a record label was successful too: From the first moment, Peter Springer of Intercord loved the product and wanted to release it on the german Intercord label “Spiegelei” (“Fried Egg”). Lou also confirmed to buy a few thousand records for their european tour so that the contract was signed early.
Finally I can tell you that I was never carried away by such a positive energy before. I felt so much happiness with Mombasa, especially with Lou Blackburn, without being able to appreciate it properly. But I owe Lou and his fellows a debt of gratitude until today! I hesitated for a long time before releasing this claim from the geography of my recently discovered soul. But with this re-release of the first Mombasa recordings, we are on a way, that Lou would have gone with us.
Excecutive production and liner notes for re-release by Ekkehart Fleischhammer, original recordings mastered by studio DMS, reproduction of original cover by Patrick Haase & Ekkehart Fleischhammer, design by rab.bit. Big thanks to Manfred Schmitz, without whom this re-release would not have been possible.
From original liner notes 1975:
In describing the music of Mombasa which is a mixture of rhythm, jazz, folklore, blues, spirituals and worksongs, Lou Blackburn would prefer not to use the word jazz. “Many people ask us”, he says, “how one describes our type of music. To this I can only answer that I leave it to the audience because i don`t want to give it a label, for me it is simply ours, Mombasa`s music .”
Plus special support: art card donation in favour of the Options Care Centre, South Africa - in memory of band leader Lou Blackburn. First 100 copies limited vinyl edition include a special Mombasa art card donation - cards are handmade by the people of Option Care Centre, a non profit organisation in South Africa to help aids victims and abused women.
This limited collector´s item ( LP plus art card) will only be available directly from the Sonorama office – support the Options Care Centre and order now at info@sonorama.de! For further donations or contacting the OCC: Options Care Center, 122 York Street, PO Box 758, George 6530, South Africa, Fon/ Fax +27-448747414 or contact german representative Stefan Burk at stefan.burk@burk-ag.com.
Original producer H. Manfred Schmitz with his memories from September 2006:
I started working as an artist promoter at german Electrola in 1970, responsible for radio/ tv promotion and later as a freelancer at WDR (Westdeutscher Rundfunk). Rudy Petri has been te boss of Edition Accord, a publishing department of EMI. In Rudy`s office, I met Lou Blackburn, a middle aged afro american with an exceptional headgear that I had not seen before. When he held out his hand to welcome me, I was feeling an unknown calmness and sovereignty from this tall man. His eyes were looking at me through metal-rimmed glasses in a friendly way. They looked so warm and I felt that he was looking at me with his heart.
“My band Mombasa and I, we are looking for somebody to produce an album with us. We wanna go on a european tour soon and would like to sell our music after the concerts. We also know what we want to achieve in the studio, everything is well rehearsed and we will not need much time for the recordings. We mainly need support for the logistic aspects and a good connection to a suitable distributor.” We already started our common work after 10 days: Edition Accord and my publishing company Many Music shared the cost and work for the production and we decided to record Mombasa in the Cornet Studio/ Cologne, that was equipped with a small but fine 8-track machine.
We needed two hours for the preliminaries of the recording process and focussed on the best adjustments for the rhythm group. From the beginning Lou had a very good connection to the sound engineer W. Sorger. While some of the musicians checked their instruments, others were decorating the recording room with african cloths, candles and even added incense cones to the prevailing mood. The band drew up like they did on stage, with the drums in the very back but with a visual contact to every band member. There was no real break within the recording session, only the ones for changing instruments and tuning them again. I got the impression they were giving one of their concerts!
We immediately felt a bubbling enthusiam. After the recording – there was only one! – Lou Blackburn came to the control desk and listened to everything that was recorded. We had only worked for three hours then. There was nothing to improve and so we began discussions about the final mix that was done with Lou alone. All in all the whole production only lasted one day. The first approach for a record label was successful too: From the first moment, Peter Springer of Intercord loved the product and wanted to release it on the german Intercord label “Spiegelei” (“Fried Egg”). Lou also confirmed to buy a few thousand records for their european tour so that the contract was signed early.
Finally I can tell you that I was never carried away by such a positive energy before. I felt so much happiness with Mombasa, especially with Lou Blackburn, without being able to appreciate it properly. But I owe Lou and his fellows a debt of gratitude until today! I hesitated for a long time before releasing this claim from the geography of my recently discovered soul. But with this re-release of the first Mombasa recordings, we are on a way, that Lou would have gone with us.
Excecutive production and liner notes for re-release by Ekkehart Fleischhammer, original recordings mastered by studio DMS, reproduction of original cover by Patrick Haase & Ekkehart Fleischhammer, design by rab.bit. Big thanks to Manfred Schmitz, without whom this re-release would not have been possible.